The Herbie Hancock Collection (Artist Transcriptions. Piano) [Herbie Hancock] on *FREE* shipping on qualifying offers. (Artist Transcriptions). This one is from Herbie’s classic Maiden Voyage album. The piece is constructed of rubato head and jazz waltz solo section. The Eb-7/F (F. This isn’t the flashiest Herbie I’ve heard (compared to his solo on “No More Blues” Labels: #ttmusic Blue Note Herbie Hancock Transcriptions.
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People go on about the model ‘E’ hire Rhodes being one of the greatest ever examples but in my opinion, the Rhodes sound from Herbie’s mid 70’s albums is the greatest ever recorded Rhodes sound. As I always say though, the value is in doing the transcription yourself – it’s like musical archeology!
I’ve got a very busy period coming up but I’ll try my hardest to keep the videos flowing. I am missing the other elements of the bigger picture as transcfiptions said – but am I a better player for studying Herbie’s music in such detail? Rhythm is greatly understudied in my opinion.
The solo part is saying The thing about Herbie is he doesn’t look back, always forward, willing to try new things, expand his playing into new areas. I’m pretty sure just from the sound and also from live recordings video and audio throughout the 70’s that Herbie had at least a number of different Rhodes pianos through the years. God bless you and hope to see more soon. Thanks, Tom Originally Posted By: If I was to transcribe something like ‘Actual Proof’ however; that one took several days These broke very often and I needed a lot of replacement tines within the 1st 2 years of hwrbie.
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Nice of you to share your stuff here with all of of us. Yes that’s a great version with Herbie on Rhodes – those early silvertop Fender Rhodeses had such a different tone in comparison to the mid 70’s. Wags Don’t have much to add regarding transcriptions, and I can appreciate the hard work that goes into them, but I doubt that Herbie ever played the same song the same way twice.
When you say a stock Rhodes, I don’t know. Switch to Threaded Mode. Who knows where the main touring Rhodes es? Just having the solo is only a small part of the totality of the music. Check out this track from But the first time I believe is at the 7: When musicians solo, they are most definitely not hearing the same rhythms that another person is hearing.
I know he had a prototyp MKV 88 in his studio too I can tell you, that playing with them, backs this belief of mine up.
Page 3 of 3. Paul Harrison Senior Member Registered: I have played with a very large number of equally diversified musicians over my career.
Herbie Hancock – Jazz Piano School
Herbie Hancock exact, note-for-note transcriptions on Rhodes [ Re: It’s always great to meet other Herbie hegbie Previous Topic Index Next Topic.
Vince is perhaps the best ensemble drummer I’ve ever seen. Since I used mixers, I used EV speakers. They come through my intuition trxnscriptions on a bandstand. Resolution 88 Senior Member Registered: Even though the notes were written out for me Also when are we going to see Actual Proof and Shiftless Shuffle in a video or book?
These are all inner, in nature, personal, nothing directly to do with music theory, or reading music. BRW The key to all Herbie solos or any other legendary jazz pianist, for that matter is that not only do you have to find the notes, you have to nail the feel and the dynamics, the phrasing too.
I suppose it counts as a prototype if he had it modified to have the effects loop jacks before they were added to hrrbie production model.
Transcriptions – Little One by Herbie Hancock – submitted by HalfNelson
I wonder if anyone here has ever considered and transcribed an earlier section of Chameleon that I can’t seem to get precisely. This was most evident Sunday. Hi Chris – many thanks for the reply – I would have given out my Actual Proof solo transcription but at the moment I’m in the process of investigating publishing and copyright for Herbie’s 70’s songs because I plan to release the transcriptions properly if it proves to be viable.
The thing about Herbie is he doesn’t look back, always forwardwilling to try new things, expand his playing into new areas. The melodic rhythms of a solo, are encased within the greater context of the groove of the rhythm section. Can’t wait to see more. It’s all good in other words – transcription and learning from your inspirations is a must, in my opinion. Also helped taking Jazz Piano and Theory Comp too. Here’s another ‘how to play’ video for the series: I still listen to this album a few times a month, especially good for road Rhodes trips.
Ideally I’d spend time looking at the rhythm section too in fact, I’ve transcribed Sly completely including the bass and drums but most of the time it’s just the Rhodes I examine. When you “get” that rhythmic code, you will have a ball with all manner of freedom Yeah that Paul Desmond is a masterpiece.
The more sensitive to music, the maker is, the better for us all. Add to your Watched Users.
Thanks I don’t take it as such, I think we’re both of the same opinion!