Bernhard Heinrich Romberg (November 13, – August 13, ), was a German cellist 1 in B-flat Major, for cello and orchestra; Opus 3, Grand Concerto No. Opus 14, Airs Russes for cello and orchestra; Opus 17, Flute concerto in B minor (Also published as opus 30); Opus 18, Variations et Rondo in E-flat Major for. Buy Concerto for Flute Op. Score () by ROMBERG, B at Orchestra Sheet Music. Romberg, Bernhard Heinrich. Ed. John WionPublished by. Get this from a library! Concerto for flute and orchestra, opus [Bernhard Romberg; John Wion; Elaine Baker, (Pianist)].
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After a fanfare-like opening with a full orchestra sound, the entrance of the solo flute is with a phrase that covers a two octave range in a beautifully constructed arc that reaches the upper range before descending two octave over two measures to close.
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Romberg, Bernhard | Concerto for Flute and Orchestra in B minor, Op. 17
Preview this item Preview this item. The second movement, marked Andante grazioso, is a lyrical, expressive work, which as in the first movement, exploits almost the entire range of the instrument. Romberg makes reference to its opening motive bernhadd soon after offers new virtuosic passages. Create lists, bibliographies and reviews: Add a review and share your thoughts with other readers.
The closing theme is in the relative B minor and adds a sense of pathos, but with a conclusion on D, centering it in the major mode. A return to duple grouping provides the transition to the return of the A theme.
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He clearly understood some of the idiomatic requirements of wind writing. His virtuosity is displayed in his compositional style. Fluye enter recipient e-mail address es. There is no marking for a cadenza at the end of the movement. Add to cart Details. Romberg is thought to be among the first cellists to perform from memory, which was a skill praised highly in his day.
The E-mail message field is required. It is flufe Op. Flute Quintet in G Major 1. For performance material contact Peters, Leipzig. The return of the A theme is not exact at all. Shansky, For performance material contact Peters, Leipzig. However, Romberg had difficulty understanding some of Beethoven’s musical ideas, and bernhqrd Beethoven’s offer of a cello concerto for bernnard, saying that he primarily performed his own compositions.
Retrieved from ” https: Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Romberg concertized in Europe and demonstrated prodigious talent at an early age.
Concerto for flute and orchestra, opus 17 Author: Romberg made several innovations in cello design and performance.
Here the performer would be best suited to emphasize the half note rather than the quarter as the phrasing is very broad. Please enter your name. The C section theme exploits the sixteenth note dotted rhythms of the A theme for the first expression of the section. However, Romberg does not simply write string music for the flute, as was a common approach.
Flute Concerto, Op.17 (Romberg, Bernhard)
The placement of a fermata at the end of the A theme is unusual. It can be difficult for a flutist to project on the lowest C, especially in the fast passages that follow, indicating the level of ability required for this piece.
The third movement, a Rondo Allegrettois a delight and a dazzling display of technical prowess for the solo flute.
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Solo with piano Document Type: The Development comes as something of a surprise as, while containing numerous technical passages, Romberg uses this area to demonstrate the lyrical capability of the flute. Romberg does not write an exact re-statement of the Exposition but rather with the entrance of the solo flute moves directly to the lyrical melody of the closing theme of the Exposition.
The conclusion of this section, almost identical to its counterpart in the Exposition except without the fermatas, leads to the Recapitulation.
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